Embroidered patterns, fabric surfaces. Sensory structures.

Embroidered patterns, fabric surfaces. Sensory structures.

The design of “Matrice”, also drawing from suggestions that derive directly from modern Italian architecture and studying the particular harmony of the exposed scores in cement of some compositional solutions from that creative season, has led to the re-invention of a series of finishes that can be applied to porcelain stoneware material. This means that original combinations can be obtained that are always different from the various ceramics in the collection, in order to create decidedly intense dwelling environments with great personality.

Matrice
Matrice
Matrice

«We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò

Matrice
Matrice
Matrice

CRITICAL TEXT BY ANGELA RUI: “MATRICE. THEME AND VARIATIONS OF SIGNS AND SURFACES”

To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners.

Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying.

The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate.

The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Authors

Colors

Essenza

Sostanza

Aura

Struttura

Traccia

Rilievo

Forma

Sizes

120x120 cm 48"x48"

120x240 cm 48"x95"

80x180 cm 32"x71"

80x80 cm 32"x32"

60x120 cm 24"x48"

40x180 cm 16"x71"

40x80 cm 16"x32"

20x80 cm 8"x32"

Thickness

10,00 mm

6,00 mm

Surfaces

MATTE

SLATE-HAMMERED

SMOOTH

Accessories

Sigillante cementizio

STUCCO PERLA

STUCCO ROSSO

STUCCO GIALLO

STUCCO TURCHESE

Pittura acrilica

MATRICE PAINT OCRA SAT. 4 LTR

MATRICE PAINT BLU SAT. 4 LTR

MATRICE PAINT FUMO SAT. 4 LTR

MATRICE PAINT GHIACCIO SAT. 4 LTR

Colors:

Size:

Thickness:

Surface:

Trama 1

MATRICE TRAMA 1 A1 6MM 120X240 RET

Trama 1 - A1

120x240 cm

MATRICE TRAMA 1 A1 6MM 120X240 RET

Trama 1 - A1 Giallo

120x240 cm

MATRICE TRAMA 1 A1 6MM 120X240 RET

Trama 1 - A1 Perla

120x240 cm

MATRICE TRAMA 1 A1 6MM 120X240 RET

Trama 1 - A1 Rosso

120x240 cm

MATRICE TRAMA 1 A1 6MM 120X240 RET

Trama 1 - A1 Turchese

120x240 cm

MATRICE TRAMA 1 A2 6MM 120X240 RET

Trama 1 - A2

120x240 cm

MATRICE TRAMA 1 A2 6MM 120X240 RET

Trama 1 - A2 Giallo

120x240 cm

MATRICE TRAMA 1 A2 6MM 120X240 RET

Trama 1 - A2 Perla

120x240 cm

MATRICE TRAMA 1 A2 6MM 120X240 RET

Trama 1 - A2 Rosso

120x240 cm

MATRICE TRAMA 1 A2 6MM 120X240 RET

Trama 1 - A2 Turchese

120x240 cm

MATRICE TRAMA 1 A3 6MM 120X240 RET

Trama 1 - A3

120x240 cm

MATRICE TRAMA 1 A3 6MM 120X240 RET

Trama 1 - A3 Giallo

120x240 cm

MATRICE TRAMA 1 A3 6MM 120X240 RET

Trama 1 - A3 Perla

120x240 cm

MATRICE TRAMA 1 A3 6MM 120X240 RET

Trama 1 - A3 Rosso

120x240 cm

MATRICE TRAMA 1 A3 6MM 120X240 RET

Trama 1 - A3 Turchese

120x240 cm

MATRICE TRAMA 1 B1 6MM 120X120 RET

Trama 1 - B1

120x120 cm

MATRICE TRAMA 1 B1 6MM 120X120 RET

Trama 1 - B1 Giallo

120x120 cm

MATRICE TRAMA 1 B1 6MM 120X120 RET

Trama 1 - B1 Perla

120x120 cm

MATRICE TRAMA 1 B1 6MM 120X120 RET

Trama 1 - B1 Rosso

120x120 cm

MATRICE TRAMA 1 B1 6MM 120X120 RET

Trama 1 - B1 Turchese

120x120 cm

MATRICE TRAMA 1 B2 6MM 120X120 RET

Trama 1 - B2

120x120 cm

MATRICE TRAMA 1 B2 6MM 120X120 RET

Trama 1 - B2 Giallo

120x120 cm

MATRICE TRAMA 1 B2 6MM 120X120 RET

Trama 1 - B2 Perla

120x120 cm

MATRICE TRAMA 1 B2 6MM 120X120 RET

Trama 1 - B2 Rosso

120x120 cm

MATRICE TRAMA 1 B2 6MM 120X120 RET

Trama 1 - B2 Turchese

120x120 cm

MATRICE TRAMA 1 B3 6MM 120X120 RET

Trama 1 - B3

120x120 cm

MATRICE TRAMA 1 B3 6MM 120X120 RET

Trama 1 - B3 Giallo

120x120 cm

MATRICE TRAMA 1 B3 6MM 120X120 RET

Trama 1 - B3 Perla

120x120 cm

MATRICE TRAMA 1 B3 6MM 120X120 RET

Trama 1 - B3 Rosso

120x120 cm

MATRICE TRAMA 1 B3 6MM 120X120 RET

Trama 1 - B3 Turchese

120x120 cm

MATRICE TRAMA 1 C1 6MM 60X120 RET

Trama 1 - C1

60x120 cm

MATRICE TRAMA 1 C1 6MM 60X120 RET

Trama 1 - C1 Giallo

60x120 cm

MATRICE TRAMA 1 C1 6MM 60X120 RET

Trama 1 - C1 Perla

60x120 cm

MATRICE TRAMA 1 C1 6MM 60X120 RET

Trama 1 - C1 Rosso

60x120 cm

MATRICE TRAMA 1 C1 6MM 60X120 RET

Trama 1 - C1 Turchese

60x120 cm

MATRICE TRAMA 1 C2 6MM 60X120 RET

Trama 1 - C2

60x120 cm

MATRICE TRAMA 1 C2 6MM 60X120 RET

Trama 1 - C2 Giallo

60x120 cm

MATRICE TRAMA 1 C2 6MM 60X120 RET

Trama 1 - C2 Perla

60x120 cm

MATRICE TRAMA 1 C2 6MM 60X120 RET

Trama 1 - C2 Rosso

60x120 cm

MATRICE TRAMA 1 C2 6MM 60X120 RET

Trama 1 - C2 Turchese

60x120 cm

MATRICE TRAMA 1 C3 6MM 60X120 RET

Trama 1 - C3

60x120 cm

MATRICE TRAMA 1 C3 6MM 60X120 RET

Trama 1 - C3 Giallo

60x120 cm

MATRICE TRAMA 1 C3 6MM 60X120 RET

Trama 1 - C3 Perla

60x120 cm

MATRICE TRAMA 1 C3 6MM 60X120 RET

Trama 1 - C3 Rosso

60x120 cm

MATRICE TRAMA 1 C3 6MM 60X120 RET

Trama 1 - C3 Turchese

60x120 cm

Notes

Possible engraved patterning on the surface of Essenza

The collection’s designers recommend the following grout colors: Perla, Giallo, Rosso and Turchese. In any case, any alternative grout color can be chosen for the décor.

Some potential decorative effects: download pdf

Trama 2

MATRICE TRAMA 2 D1 80X180 RET

Trama 2 - D1

80x180 cm

MATRICE TRAMA 2 D1 80X180 RET

Trama 2 - D1 Giallo

80x180 cm

MATRICE TRAMA 2 D1 80X180 RET

Trama 2 - D1 Perla

80x180 cm

MATRICE TRAMA 2 D1 80X180 RET

Trama 2 - D1 Rosso

80x180 cm

MATRICE TRAMA 2 D1 80X180 RET

Trama 2 - D1 Turchese

80x180 cm

MATRICE TRAMA 2 D2 80X180 RET

Trama 2 - D2

80x180 cm

MATRICE TRAMA 2 D2 80X180 RET

Trama 2 - D2 Giallo

80x180 cm

MATRICE TRAMA 2 D2 80X180 RET

Trama 2 - D2 Perla

80x180 cm

MATRICE TRAMA 2 D2 80X180 RET

Trama 2 - D2 Rosso

80x180 cm

MATRICE TRAMA 2 D2 80X180 RET

Trama 2 - D2 Turchese

80x180 cm

MATRICE TRAMA 2 D3 80X180 RET

Trama 2 - D3

80x180 cm

MATRICE TRAMA 2 D3 80X180 RET

Trama 2 - D3 Giallo

80x180 cm

MATRICE TRAMA 2 D3 80X180 RET

Trama 2 - D3 Perla

80x180 cm

MATRICE TRAMA 2 D3 80X180 RET

Trama 2 - D3 Rosso

80x180 cm

MATRICE TRAMA 2 D3 80X180 RET

Trama 2 - D3 Turchese

80x180 cm

MATRICE TRAMA 2 E1 40X180 RET

Trama 2 - E1

40x180 cm

MATRICE TRAMA 2 E1 40X180 RET

Trama 2 - E1 Giallo

40x180 cm

MATRICE TRAMA 2 E1 40X180 RET

Trama 2 - E1 Perla

40x180 cm

MATRICE TRAMA 2 E1 40X180 RET

Trama 2 - E1 Rosso

40x180 cm

MATRICE TRAMA 2 E1 40X180 RET

Trama 2 - E1 Turchese

40x180 cm

MATRICE TRAMA 2 E2 40X180 RET

Trama 2 - E2

40x180 cm

MATRICE TRAMA 2 E2 40X180 RET

Trama 2 - E2 Giallo

40x180 cm

MATRICE TRAMA 2 E2 40X180 RET

Trama 2 - E2 Perla

40x180 cm

MATRICE TRAMA 2 E2 40X180 RET

Trama 2 - E2 Rosso

40x180 cm

MATRICE TRAMA 2 E2 40X180 RET

Trama 2 - E2 Turchese

40x180 cm

MATRICE TRAMA 2 E3 40X180 RET

Trama 2 - E3

40x180 cm

MATRICE TRAMA 2 E3 40X180 RET

Trama 2 - E3 Giallo

40x180 cm

MATRICE TRAMA 2 E3 40X180 RET

Trama 2 - E3 Perla

40x180 cm

MATRICE TRAMA 2 E3 40X180 RET

Trama 2 - E3 Rosso

40x180 cm

MATRICE TRAMA 2 E3 40X180 RET

Trama 2 - E3 Turchese

40x180 cm

MATRICE TRAMA 2 F1 80X80 RET

Trama 2 - F1

80x80 cm

MATRICE TRAMA 2 F1 80X80 RET

Trama 2 - F1 Giallo

80x80 cm

MATRICE TRAMA 2 F1 80X80 RET

Trama 2 - F1 Perla

80x80 cm

MATRICE TRAMA 2 F1 80X80 RET

Trama 2 - F1 Rosso

80x80 cm

MATRICE TRAMA 2 F1 80X80 RET

Trama 2 - F1 Turchese

80x80 cm

MATRICE TRAMA 2 F2 80X80 RET

Trama 2 - F2

80x80 cm

MATRICE TRAMA 2 F2 80X80 RET

Trama 2 - F2 Giallo

80x80 cm

MATRICE TRAMA 2 F2 80X80 RET

Trama 2 - F2 Perla

80x80 cm

MATRICE TRAMA 2 F2 80X80 RET

Trama 2 - F2 Rosso

80x80 cm

MATRICE TRAMA 2 F2 80X80 RET

Trama 2 - F2 Turchese

80x80 cm

MATRICE TRAMA 2 F3 80X80 RET

Trama 2 - F3

80x80 cm

MATRICE TRAMA 2 F3 80X80 RET

Trama 2 - F3 Giallo

80x80 cm

MATRICE TRAMA 2 F3 80X80 RET

Trama 2 - F3 Perla

80x80 cm

MATRICE TRAMA 2 F3 80X80 RET

Trama 2 - F3 Rosso

80x80 cm

MATRICE TRAMA 2 F3 80X80 RET

Trama 2 - F3 Turchese

80x80 cm

MATRICE TRAMA 2 G1 40X80 RET

Trama 2 - G1

40x80 cm

MATRICE TRAMA 2 G1 40X80 RET

Trama 2 - G1 Giallo

40x80 cm

MATRICE TRAMA 2 G1 40X80 RET

Trama 2 - G1 Perla

40x80 cm

MATRICE TRAMA 2 G1 40X80 RET

Trama 2 - G1 Rosso

40x80 cm

MATRICE TRAMA 2 G1 40X80 RET

Trama 2 - G1 Turchese

40x80 cm

MATRICE TRAMA 2 G2 40X80 RET

Trama 2 - G2

40x80 cm

MATRICE TRAMA 2 G2 40X80 RET

Trama 2 - G2 Giallo

40x80 cm

MATRICE TRAMA 2 G2 40X80 RET

Trama 2 - G2 Perla

40x80 cm

MATRICE TRAMA 2 G2 40X80 RET

Trama 2 - G2 Rosso

40x80 cm

MATRICE TRAMA 2 G2 40X80 RET

Trama 2 - G2 Turchese

40x80 cm

MATRICE TRAMA 2 G3 40X80 RET

Trama 2 - G3

40x80 cm

MATRICE TRAMA 2 G3 40X80 RET

Trama 2 - G3 Giallo

40x80 cm

MATRICE TRAMA 2 G3 40X80 RET

Trama 2 - G3 Perla

40x80 cm

MATRICE TRAMA 2 G3 40X80 RET

Trama 2 - G3 Rosso

40x80 cm

MATRICE TRAMA 2 G3 40X80 RET

Trama 2 - G3 Turchese

40x80 cm

MATRICE TRAMA 2 H1 20X80 RET

Trama 2 - H1

20x80 cm

MATRICE TRAMA 2 H1 20X80 RET

Trama 2 - H1 Giallo

20x80 cm

MATRICE TRAMA 2 H1 20X80 RET

Trama 2 - H1 Perla

20x80 cm

MATRICE TRAMA 2 H1 20X80 RET

Trama 2 - H1 Rosso

20x80 cm

MATRICE TRAMA 2 H1 20X80 RET

Trama 2 - H1 Turchese

20x80 cm

MATRICE TRAMA 2 H2 20X80 RET

Trama 2 - H2

20x80 cm

MATRICE TRAMA 2 H2 20X80 RET

Trama 2 - H2 Giallo

20x80 cm

MATRICE TRAMA 2 H2 20X80 RET

Trama 2 - H2 Perla

20x80 cm

MATRICE TRAMA 2 H2 20X80 RET

Trama 2 - H2 Rosso

20x80 cm

MATRICE TRAMA 2 H2 20X80 RET

Trama 2 - H2 Turchese

20x80 cm

MATRICE TRAMA 2 H3 20X80 RET

Trama 2 - H3

20x80 cm

MATRICE TRAMA 2 H3 20X80 RET

Trama 2 - H3 Giallo

20x80 cm

MATRICE TRAMA 2 H3 20X80 RET

Trama 2 - H3 Perla

20x80 cm

MATRICE TRAMA 2 H3 20X80 RET

Trama 2 - H3 Rosso

20x80 cm

MATRICE TRAMA 2 H3 20X80 RET

Trama 2 - H3 Turchese

20x80 cm

Notes

Possible engraved patterning on the surface of Essenza

Some potential decorative effects: download pdf

Trama 3

MATRICE TRAMA 3 F4 AZZURO 80X80 RET

Trama 3 - F4 Azzurro

80x80 cm

MATRICE TRAMA 3 F4 GIALLO 80X80 RET

Trama 3 - F4 Sole

80x80 cm

MATRICE TRAMA 3 F4 ROSSO 80X80 RET

Trama 3 - F4 Vermiglio

80x80 cm

MATRICE TRAMA 3 F5 AZZURO 80X80 RET

Trama 3 - F5 Azzurro

80x80 cm

MATRICE TRAMA 3 F5 GIALLO 80X80 RET

Trama 3 - F5 Sole

80x80 cm

MATRICE TRAMA 3 F5 ROSSO 80X80 RET

Trama 3 - F5 Vermiglio

80x80 cm

MATRICE TRAMA 3 G4 AZZURRO 40X80 RET

Trama 3 - G4 Azzurro

40x80 cm

MATRICE TRAMA 3 G4 GIALLO 40X80 RET

Trama 3 - G4 Sole

40x80 cm

MATRICE TRAMA 3 G4 ROSSO 40X80 RET

Trama 3 - G4 Vermiglio

40x80 cm

MATRICE TRAMA 3 G5 AZZURRO 40X80 RET

Trama 3 - G5 Azzurro

40x80 cm

MATRICE TRAMA 3 G5 GIALLO 40X80 RET

Trama 3 - G5 Sole

40x80 cm

MATRICE TRAMA 3 G5 ROSSO 40X80 RET

Trama 3 - G5 Vermiglio

40x80 cm

MATRICE TRAMA 3 G6 AZZURRO 40X80 RET

Trama 3 - G6 Azzurro

40x80 cm

MATRICE TRAMA 3 G6 GIALLO 40X80 RET

Trama 3 - G6 Sole

40x80 cm

MATRICE TRAMA 3 G6 ROSSO 40X80 RET

Trama 3 - G6 Vermiglio

40x80 cm

MATRICE TRAMA 3 H4 AZZURRO 20X80 RET

Trama 3 - H4 Azzurro

20x80 cm

MATRICE TRAMA 3 H4 GIALLO 20X80 RET

Trama 3 - H4 Sole

20x80 cm

MATRICE TRAMA 3 H4 ROSSO 20X80 RET

Trama 3 - H4 Vermiglio

20x80 cm

MATRICE TRAMA 3 H5 AZZURRO 20X80 RET

Trama 3 - H5 Azzurro

20x80 cm

MATRICE TRAMA 3 H5 GIALLO 20X80 RET

Trama 3 - H5 Sole

20x80 cm

MATRICE TRAMA 3 H5 ROSSO 20X80 RET

Trama 3 - H5 Vermiglio

20x80 cm

MATRICE TRAMA 3 H6 AZZURRO 20X80 RET

Trama 3 - H6 Azzurro

20x80 cm

MATRICE TRAMA 3 H6 GIALLO 20X80 RET

Trama 3 - H6 Sole

20x80 cm

MATRICE TRAMA 3 H6 ROSSO 20X80 RET

Trama 3 - H6 Vermiglio

20x80 cm

Notes

Possible decorated areas on the surface of Essenza

Some potential decorative effects: download pdf

Reference standard E.N. 14411 . Appendix G. Group BⅠa. UGL
Test method
Reference value
Declared value
Download
Length and width: admitted deviation, in %, of the average size of each tile from the production dimensions
ISO-10545-2
±0,6% (±2 mm)
± 0,15%
Admitted deviation, in %, of the average thickness of each tile from the production dimensions
ISO-10545-2
±5% (±0,5 mm)
± 5%
Maximum straightness deviation, in %, in relation to the corresponding production dimensions
ISO-10545-2
±0,5% (±1,5 mm)
± 0,1%
Maximum right-angle deviation, in %, in relation to the corresponding production dimensions
ISO-10545-2
±0,5% (±2 mm)
± 0,2%
Flatness (centre curvature / edge curvature / warpage)
ISO-10545-2
±0,5% (±2mm)
± 0,35%
Surface quality
ISO-10545-2
Il 95% min delle piastrelle deve essere esente da difetti visibili / At least 95% of the tiles must be free from visible flaws / 95% min des carreaux ne doivent présenter aucun défaut visible / Mindestens 95% der Fliesen müssen frei von sichtbaren / mín. el 95% de las baldosas tiene que estar exento de defectos visibles
CONFORME / CONFORMING / CONFORME / KONFORM / CONFORME / СООТВЕТСТВУЕТ
Amount of water absorbed, in percentage
ISO-10545-3
E<0,5%
average value 0,08%
Breaking strength in N (thickness >= 7,5 mm)
ISO-10545-4
≥1300 Newton
average value 3200 N
Bending strength in N/mm2
ISO-10545-4
>35 N/mm2
average value 50 N/mm2
Resistance to deep abrasion of unglazed tiles
ISO-10545-6
<175 mm3
average value 140 mm3
Thermal shock resistance
ISO-10545-9
-
RESISTE / RESISTANT / RÉSISTE / ERFÜLLT / RESISTE / УСТОЙЧИВ
Frost resistance
ISO-10545-12
Richiesta / Required / Requise / Gefordert / Requerida
RESISTE / RESISTANT / RÉSISTE / ERFÜLLT / RESISTE / УСТОЙЧИВ
Resistance to staining
ISO-10545-14
-
Cl. 3 (Aura, Sostanza); Cl. 4
Resistance to low concentrations of acids and alkali
ISO-10545-13
Come dichiarato dal produttore / See manufacturer’s declaration / Selon déclaration du producteur / Entsprechend der Herstellerangaben / Tal como declara el fabricante
ULB (Aura); ULA
Resistance to high concentrations of acids and alkali
ISO-10545-13
Come dichiarato dal produttore / See manufacturer’s declaration / Selon déclaration du producteur / Entsprechend der Herstellerangaben / Tal como declara el fabricante
UHB (Aura); UHA
Resistance to domestic chemicals and additives for swimming pools
ISO-10545-13
UB minimo / UB minimum / UB minimum / UB mindestens / UB minimo
UA
Slip resistance with shoes
DIN-51130:2010
-
R9 (Essenza); R10 (Rilievo, Traccia, Struttura, Forma)
Barefoot slip resistance
DIN-51097
-
Cl. A+B (Rilievo, Forma); Cl. A+B+C (Struttura, Traccia)
Dynamic coefficient of friction (section 9.6 ANSI A 137.1 2012)
DCOF
>0,42 wet
> 0,42 wet

Notes

For optimal installation results, Florim recommends maintaining a joint of 2 mm 1/12” for single format installations and 3 mm 1/8” to combine mixed formats.

Length and width: admitted deviation, in %, of the average size of each tile from the production dimensions
ISO-10545-2
±0,6% (±2 mm)
± 0,15%
Admitted deviation, in %, of the average thickness of each tile from the production dimensions
ISO-10545-2
±5% (±0,5 mm)
± 5%
Maximum straightness deviation, in %, in relation to the corresponding production dimensions
ISO-10545-2
±0,5% (±1,5 mm)
± 0,1%
Maximum right-angle deviation, in %, in relation to the corresponding production dimensions
ISO-10545-2
±0,5% (±2 mm)
± 0,2%
Flatness (centre curvature / edge curvature / warpage)
ISO-10545-2
±0,5% (±2mm)
± 0,2%
Surface quality
ISO-10545-2
Il 95% min delle piastrelle deve essere esente da difetti visibili / At least 95% of the tiles must be free from visible flaws / 95% min des carreaux ne doivent présenter aucun défaut visible / Mindestens 95% der Fliesen müssen frei von sichtbaren / mín. el 95% de las baldosas tiene que estar exento de defectos visibles
CONFORME / CONFORMING / CONFORME / KONFORM / CONFORME / СООТВЕТСТВУЕТ
Amount of water absorbed, in percentage
ISO-10545-3
E<0,5%
average value 0,08%
Breaking strength in N (thickness < 7,5 mm)
ISO-10545-4
≥700 Newton
average value 1350 N
Bending strength in N/mm2
ISO-10545-4
>35 N/mm2
average value 52 N/mm2
Resistance to deep abrasion of unglazed tiles
ISO-10545-6
<175 mm3
average value 140 mm3
Thermal shock resistance
ISO-10545-9
-
RESISTE / RESISTANT / RÉSISTE / ERFÜLLT / RESISTE / УСТОЙЧИВ
Frost resistance
ISO-10545-12
Richiesta / Required / Requise / Gefordert / Requerida
RESISTE / RESISTANT / RÉSISTE / ERFÜLLT / RESISTE / УСТОЙЧИВ
Resistance to staining
ISO-10545-14
-
Cl. 4-5
Resistance to low concentrations of acids and alkali
ISO-10545-13
Come dichiarato dal produttore / See manufacturer’s declaration / Selon déclaration du producteur / Entsprechend der Herstellerangaben / Tal como declara el fabricante
ULA
Resistance to high concentrations of acids and alkali
ISO-10545-13
Come dichiarato dal produttore / See manufacturer’s declaration / Selon déclaration du producteur / Entsprechend der Herstellerangaben / Tal como declara el fabricante
UHA
Resistance to domestic chemicals and additives for swimming pools
ISO-10545-13
UB minimo / UB minimum / UB minimum / UB mindestens / UB minimo
UA

Notes

For optimal installation results, Florim recommends maintaining a joint of 2 mm 1/12” for single format installations and 3 mm 1/8” to combine mixed formats.

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